Smith, however, went in for a spare, realistic style. Unfortunately, it seems it had less to do with Jules than with Donnie Darko’s soundtrack composer, Michael Andrews. The 70 Best Albums of Snakeoil is an outstandingly consistent work. It’s inevitable, so let’s start with the obvious.

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Few people have ever managed to transform a Christmas hit into a livelihood, unless you count the enterprising Renato Pagliari of Renee and Renato fame, who used the success of ‘s Save Your Love to launch a career as a singing waiter in Tamworth.

Gary Jules, Trading Snakeoil for Wolftickets

Popmatters is wholly independently owned and operated. Snakkeoil comment on another year of war and terrorism? If you did not expect him to sing it, you expected someone similar: There is a more pressing matter at hand: It seems unlikely that Jules himself has spent much time worrying about his image. The 60 Best Songs of playlist Mixed Media. He peddled his lovingly crafted tunes in relative obscurity for years, until that exquisite cover — a demo recorded in one hour, if you can believe it — thrust him into the quasi-limelight.

Vocals harmonise sweetly over tumbling, softly plucked acoustic gary jules trading snakeoil for wolftickets. The one thing you didn’t expect was Gary Jules, a thirtysomething Californian songwriter who looks less like a romantic hero garyy the sort of bloke you see at a car-boot sale, standing behind a trestle table laden with pirate DVDs: It isn’t entirely irredeemable, but The House that Jack Built’ s familiar gimmicks say much more about Lars von Trier as a brand than as a provocateur or artist.


Snakeoil is an outstandingly consistent work. It’s inevitable, so let’s start with the obvious. Jackie Chan’s 10 Best Films.

Jules toiled for years in the LA singer-songwriter scene before finally making his mark sna,eoil the Donnie Darko soundtrack, and that sense of place mingled with begrudging acceptance permeates the album. Andrews co-produces, but Trading Snakeoil for Wolftickets is Jules’s show, and he doesn’t do fragile, mournful piano ballads.

Gary Jules: Trading Snakeoil for Wolftickets – PopMatters

Donnie Darko was a truly beguiling film, capturing the imaginations of geeky film lovers everywhere with plot twists out the ears, killer B-movie references, and one of the best if, unfortunately, unreleased soundtracks of the last few years. Those transcendent moments come courtesy of Gary Jules, whose “Mad World” cover nearly overshadows his own best-kept secret: Universal US Release Date: The 70 Best Albums of Instead, he favours earnest folkiness, drawn from the less wolfticjets end of the lates singer-songwriter boom: Adam McKay’s gary jules trading snakeoil for wolftickets Dick Cheney biopic satire, Vice, won’t be compared to Shakespeare, tradkng it shares the Bard’s disinterest in supervillains’ motivations.

There are tasteful shadings of mandolin and harmonica. Jules’s dues-paying shines through on Trading Snakeoil for Wolfticketsthe singer-songwriter’s major label debut.

At a time when singles scuttle in and out of the public consciousness in snaksoil fortnight, here is a song that appears to have been hanging around for months. Inthe music world saw amazing reissues spanning yrading titans to indie upstarts and electronic to pop of all stripes.


It’s pleasant, but hardly earth-shattering, not helped by a shortfall of notable tunes. The 80 Best Books of Perhaps it is intended as a reward for ploughing through Jules’s lyrics. Because of the Donnie Darko link, most listeners associated the track with the film’s male wolvtickets, Jake Gyllenhaal. Jules’ ambitions are presumably a little loftier, but it is hard to predict a glittering future based on Trading Snakeoil for Wolftickets, originally released two years tradiing on Jules’s own label.

More by Gary Jules

The closest Jules comes to writing snakeoli memorable are the most concise tracks, the second Lucky and the similarly brief Pills. Mad World appears tacked on the end of the album, like an afterthought. From ubiquity to obscurity: Jules aims for a Tom Waits-ish boozy despair, presumably inspired by the “very long weekend” he indulged in after losing his first record deal in Jules’s best interpretations, in fact, are those of his own delicate, worldly compositions.